Annoying capturing

I have been reading through the Cole & Pike novels by Robert Crais lately on my iPhone, and I have to say while they are generally enjoyable, I am tired of the capture scene. This is when our protagonist or protagonists are temporarily captured by the bad guys due to some momentary miscalculation.

I hate this trope. I just detest it. It requires the good guys be dumb enough to be captured and the bad guys to be stupid enough not to kill them immediately. I can understand its appeal – it’s dramatic to have the heroes in mortal peril, but when it happens OVER AND OVER AGAIN to no ill effect it becomes so progressively unbelievable that it spoils immersion.

For the interested, I finally became fed up after the ending of L.A. Requiem. Ok, that’s pretty deep into the series, but I have developed high pain tolerance. I’m not sure if I want to continue. I understand as series characters they can’t die, but if so, they can’t be put into artificial situations that they can’t possibly survive. I have other complaints about the series, but that’s the big one.

Tradition

Traditionally academics write in the summer to catch up after the business of the fall and spring semesters. I find that depressing, so I have refused to do that so far. I do all my writing between August and May, right in the thick of it. Then I teach summer classes in June, and take July and early August off completely.

To my ultimate sadness, however, the PC game publishing schedule is the reverse. Games tend to come out later in the year in prep for Xmas, which means there is typically a dearth of new games in the summer when I have the most time to play them. This is absolutely infuriating.

This summer is particularly bad. So far the notable releases are all sequels. Diablo 3, which is a retread of 2, hasn’t impressed me, pretty as it is. Max Payne 3 did – it’s a great game, if massacring over a thousand men singlehandedly can be called ‘great’ – but it didn’t last long. I’m waiting on an expansion to Crusader Kings 2 later this month, so I can’t start a new game in that yet, so… what’s left? I’m stalled in Dark Souls, disinterested in Skyrim, and plain baffled by a level in SpaceChem. Meanwhile, at least four games I want come out in October. Grrr.

TSIS again

Ok, now that the summer semester is half over, I can say with some certainty that using TSIS again has been a big benefit. The fruit is showing up in the early papers. I’ve been talking about the templates constantly, demonstrating how to use them, and pointing out instances of them in the essays we read, and this has trickled down into the papers. Usage problems aside, I’m seeing good engagement.

I’m not as enthused with Rereading America, but it is adequate. Many of the readings duplicate the same points, making discussion repetitive, and some are probably too long. I am only using 2/3 of the text, though, so I could assign different sections in the fall.

It is hard for me to believe that it is late June already. It seems like the semester just started. I suppose that’s a good sign, in that I’m not flaming out early.

Pre-teaching jitters

I always have jitters before I teach early in a semester, but in this summer session, they’ve been particularly bad. They didn’t start to go away until yesterday, which was the fourth day I’ve been teaching.

Cicero said that nervousness before a speech was a sign of a good speaker; namely, it means that you care about what you are going to say and therefore you possess the core of what makes for a good speech, i.e. authenticity. I’ve said some version of this to myself before going into class this week, but I think the real reason the jitters/butterflies have been less present is not increased self-confidence, but growing comfort with the students. It’s when the students are an unknown quantity that I start feeling nervous.

This summer session is also the first time I’ve taught freshman composition in over four years, so that may also be a cause of additional stress. It’s not that I fear teaching composition, but rather that I fear not remembering how to do it. The last four days have done a lot to reassure myself that I still have ‘it,’ whatever ‘it’ is. I certainly didn’t have ‘it’, at least completely, when I started teaching in ’04.

I’ve learned since that writing is not mastery of grammar/usage, it is not inspiration, and it is not even an expressed distillation of  reading, though those admittedly form supporting roles in a larger play. The leading roles for teaching writing are played by critical thinking and genre familiarity, i.e. style – or at least that’s what I think currently.

For freshman comp, I’ve gone back to a book I tried once halfheartedly – They Say/ I Say. It’s too early to report total success, but I feel I understand the purpose of the text more, and I can more easily wed its genre insights to a reader, which in this case is Rereading America. RA is more politically aggressive (some of the reviews on Amazon think it is pure leftist tripe) than I’m used to in a textbook, but there’s always reading against the text.

Reviewing

Recently, I received an essay to blind peer-review for a journal. This is a first for me. I’ve reviewed conference papers before, and edited a collection, but not a journal submission. This feels dangerous and exciting.

Given my past experiences with reviewers, I am very, very concerned about writing a scrupulously fair and quality review. So I’m going to take this slowly. I’ve already read it once and drafted comments, but I’m going to let it sit a few days, and think about it, then read it again and revise my comments, then give it a third and final read before settling on a judgment. I think that’s a fair amount of time to spend with it without obsessing over it.

I’m mostly worried I will overlook something, or not fully understand an idea that I should have, but I don’t really think those things will happen. I think the essay falls in my range of expertise and I’ll be perfectly fine. It’s just jitters.

Day Z

Dropping a note here about Day Z, a mod for Arma II, to remind me to keep an eye on it as it develops. It looks very promising, but I’m not sure I want to drop thirty bucks for the game just so I can play the mod – yet. I am still very hesitant about any kind of MMO. I wish it was single player, so it could replace the permanently missing STALKER sequel. Who knows when Wasteland 2 is coming out, anyway.

Juxtaposition

The morning’s NYT: Whites Account for Under Half of Births in U.S., and a fascinating color spread of a race-baiting super-PAC attack ad on Obama that links him to black-liberation Wright all over again.

I remember, back when I was working on the diss – early 2008 – I was in the stacks of Harding’s religious library when I ran into an elderly white gentleman having trouble finding a book. People ask me for help in the stacks all the time – I guess I look like I work there. Anyway, I helped him. He was checking out books on black liberation theology, trying to understand this Obama fellow through his minister. We argued amicably for awhile about whether or not the political beliefs of your minister reliably affect one’s political beliefs. He was firmly of the position that you can’t sit in church for twenty years listening to the same minister and not be affected. I realized while talking that we had a very different view of the malleability of opinion, as well as the centrality of religious belief to political belief. As such, that ad, if it runs, may appeal to him but not to me. But I don’t think he voted for Obama in the first place, so this campaign may be a wasted effort, further polarizing the already polarized.

Spring semester over, Diablo

With a few odds and ends left here and there, the spring semester is over. I should have some special or snarky comment to make about it, but I don’t. Instead, I just feel tired. It could be those third-year blues I’ve heard about, or it could just be that I’m often morose when I suddenly have time off.

Diablo 3 came out yesterday, but it was unplayable for most of the day due to the usual server issues that occur when perma-online games launch. So far my reaction to it is a studied meh. D2 did come out in 2000, when I was a much younger, much different person; my tastes have changed. Complicating this was that I couldn’t decide which class to play, and ended up switching three times. I wanted the Necromancer again, and the Witch Doctor is a inferior substitute. I want an army of skeletons, dammit. Until then, it’s Demon Hunter time.

Board games

In the last few years, I have gotten into board games of the type called eurogames, or German-style board games. They are different than the traditional board game fare that I drew up with (Monopoly, Clue, Stratego, Risk, chess) or later party games (Trivial Pursuit, Pictionary, Scattergories, etc) in that they are more abstract and complicated, and less luck-driven. The genre seems about ten years old, so I am a little late to be getting into it, but better late than never.

The first ones that I was exposed to was Carcassonne and its many variants, which is now mainstream enough to be played on iPhones, and Ticket to Ride, which also has a iPhone/iPad presence (and is mainstream enough that they now sell it at Target). Carcassonne has no board – you build the board as you go, strategically constructing a French countryside from blindly chosen tiles and carefully placed citizens to score points. Ticket to Ride has a board, but it takes a different shape as the game progresses – players vie to place trains on point-scoring routes between cities. Both games are pretty easy to pick up and moderately difficult to master.

Intrigued, I looked for more, and then I ran into a problem, because there are more levels of complexity beyond those two and their ilk. The next game I acquired was Power Grid, after playing it with a local gaming group. It’s more or less a game about careful purchasing. It involves buying power plants at auction, buying fuel for those plants, buying connection rights to cities on a board, and then firing up those plants to make money, which is then rolled into more investment while the other players do the same things. It has some of the cutthroat feel of Monopoly, but there are no dice, the game is very balanced so players who are behind can possibly catch up, and everyone gets to the end of the game. It is more difficult to learn, though, and not as casual as the first group – not everyone is enthralled with power plant auctions as I am.

A somewhat faster economic game, but no easier, is Puerto Rico. Players act as competing colonial governors,, scoring points by either shipping goods to the Old World or building up the island’s infrastructure, both routes funded by various cash crops like tobacco or sugar. The flow of play is very different from other games I’ve encountered. Players take turns choosing what role they will perform – for example, recruiting colonists as the Mayor, shipping goods as the Captain, starting plantations as the Settler, etc – which the other players are then forced to also do, with the one who picked getting a small bonus.

And then there are the deck-building games. Dominion, which I picked up a few months ago, consists entirely of specialized cards with no board. Players buy new cards by drawing a hand randomly from a starting deck, in order to eventually build a huge deck to draw from that has more victory-scoring cards in it than other players. There is a great variety of specialized cards – some allow for buying more cards, others drawing more cards, yet others stymieing the efforts of other players to buy cards, or just reducing their score.

My current interest is Race for the Galaxy, another boardless card game that has some elements of the later games I’ve noted here – in particular, the role-switching of Puerto Rico, and the deck-building of Dominion. The main difference is that while in Puerto Rico, players alternate between choosing roles, in Race, players each choose a role simultaneously. Likewise, while in Dominion your deck itself is the measure of your success, in Race you have to play your cards to activate their abilities. This combo makes for a exciting and tense game. Race is, however, by far the hardest eurogame to learn that I’ve acquired. The game plays quick, and the cards are beautifully designed and packed with information, but keeping track of the relationships between cards is daunting. I started out playing it online, but it didn’t click until I bought the physical  game and really got the feel for how the role-switching and card-trading worked.

I am fascinated not just by the play itself, but by the way these games are designed around certain aspects of human psychology. None of the games I’ve listed here, for example, eliminates players before the entire game is over, making them kind of advanced party games (where the point is to entertain everybody). Every one of them measures success numerically in some highly visual manner, making them particularly competitive. All of them allow for some degree of  ‘coming from behind’, so that competition lasts the entire game. Multiple strategies are needed to be consistently successful, so they don’t get boring quickly and each game is different. The games have a mechanism for stopping themselves rather than lasting indefinitely. The physical parts of the game are highly dynamic – lots of little pieces and cards to manipulate, and lots of visual candy. The structure is never as simple as ‘roll and move’ or even ‘play a card’ – players are asked to make complex decisions from a variety of options, often with the best move not obvious, and they are consistently asked to do different things than what they just did.

In short, they are, well, interesting. I wish many of them had been around when I was eight.

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